Entertaining By Design: November 7 & 8 - Wednesday, October 22, 2014



The Laguna Design Center and the Philharmonic Society of Orange County invite you to Entertaining by Design, taking place Friday & Saturday, November 7 and 8, at the Laguna Design Center.

Top Southern California interior designers will be creating spectacular tabletop displays throughout LDC showrooms, and celebrated speakers will share their secrets of designing and entertaining with style.

Enjoy dazzling tabletop displays, fascinating speakers, holiday boutique, opportunity prizes, and much more!

EVENT DETAILS:
Friday, November 7th, 9:00am-5:00pm
Saturday, November 8th, 9:00am-4:00pm

EVENT SPEAKERS:
Lynn Chichi | Friday 10:00 AM
Chichi’s “Table Talk”

Brad Schmidt | Friday 2:00 PM
Decorating a Tree like a Pro

Roger’s Gardens | Saturday 10:00 AM

Chef Jim Douglas | Saturday 2:00 PM

Stay tuned for more information. This event is open to the public. If you’re needing an interior designer, this is a wonderful opportunity to find the perfect interior designer for you!

PURCHASE TICKETS ONLINE
Advance tickets: $25 | At the Door: $30

Make sure to choose PHILHARMONIC SOCIETY on the "How did you hear about it" section at check out on Eventbrite so we can get credit!

This event benefits The Committees of the Philharmonic Society and, in turn, our nationally recognized youth music education programs.


0 Comments | Add Comment



Music Monday: Hey Diddle Diddle, the Cat and the Fiddle - Monday, October 20, 2014



Most of us grew up singing this nursery rhyme, but did you know there is an actual connection between cats and string instruments? The members of Quatuor Mosaïques did! For their concert on Thursday, October 30th they’ll be performing on period instruments which include “catgut” strings.

Before the modern elements of steel or nylon, “catgut” strings were used in making violins, violas, cellos, lutes and harps. Because of their name it was general belief that cat intestines were the main ingredient for the strings, however today that belief has been proven to be untrue. “Catgut” strings are most commonly made out of sheep or goat intestines, so sadly the only thing that truly connects a cat and a fiddle is a myth.

But why would people call them “catgut” strings if they weren’t made with actual cat guts? There are a few theories that answer that question:

• Cow intestines were sometimes used to make the strings, so some believe the phrase “cattle-gut” was eventually shortened to “catgut”
• It derived from “kit-gut” or “kit-string”, “kit” meaning fiddle. Overtime it may have been mistaken for “cat.”
• Killing a cat was considered very unlucky in medieval times, so a few string makers used the term “catgut” to frighten off anyone who wanted to get into the business

Wherever they got their name, “catgut” strings are still used today by musicians who perform Baroque and Classical music on period instruments. The strings create less tension than the modern equivalent resulting in a sweeter, more textured sound.

See if you can hear the difference! Come to hear Quatuor Mosaïques on Thursday, October 30th at 8pm!


0 Comments | Add Comment



Opening Night: A Recap - Wednesday, October 15, 2014



Saturday's Opening Night concert with the London Philharmonic was an exhilarating evening. We had more than 1,400 people in the audience. Thanks to all who joined us for the first concert of our 61st season and gave John a warm welcome at his first Philharmonic Society concert as our President and Artistic Director. For those of you who weren't able to join us, we hope to see you at a concert soon!

Mid-afternoon, the orchestra loaded in. There were boxes and crates of wardrobes, instruments, music scores and more. Walking backstage after helping Jean-Efflam Bavouzet select his Steinway, we caught some humorous labels like "LPO Cites Endangered Items in Cargo." (It was a crate of violins, though with airlines mistreating instruments these days one can never be too careful). You can see a photo of this crate, along with more behind-the-scenes photos at our Facebook page.

Just after 8pm, Vladimir Jurowski took up his baton, and the orchestra set off with Dvorak's sinister tone poem, The Noonday Witch, Op. 108. Full of suspense, the work relates a folk tale about a mother who, in trying to protect her son from the noonday witch, ends up smothering the child to death. Very appropriate for the upcoming Halloween holiday.

Jean-Efflam Bavouzet joined Jurowski and the LPO on stage for Prokofiev's Third Piano Concerto. Orange County Register classical music critic Timothy Mangan wrote of the performance: "[Bavouzet] tore into the [Prokofiev] Third like a man on an obstacle course for the 100th time and trying to set a record. It was a thrilling performance, fast, powerful and headlong. It was not merely percussive pounding, though, but stylish, snazzy inflection and shapely melody."

During intermission, Bavouzet joined concertgoers in the lobby for a quick CD signing (pictured right).

Then Jurowski and the LPO finished off the night with Tchaikovsky's Sixth Symphony "Pathétique." Yes, there was clapping after the third movement--but there [almost] always is.

0 Comments | Add Comment



Music Monday: Bavouzet's Encore - Monday, October 13, 2014



After a spectacular performance of Sergei Prokofiev’s Piano Concerto No. 3 on Saturday night, soloist Jean-Efflam Bavouzet gave the audience an extra treat by performing Claude Debussy’s Etude 11, pour les arpèges composes. Written in 1915, it is part of the last collection of piano etudes Debussy composed and requires technical prowess from the performer.

Debussy wrote of them, “[they are] a warning to pianists not to take up the musical profession unless they have remarkable hands.” Without a doubt, Bavouzet lived up to that challenge!

If you were unable to attend the performance or you simply want to hear this piece again, below is a recording by Walter Gieseking. The music is paired with the sheet music so you can visually see the complexity of the music. Enjoy!


0 Comments | Add Comment



Opening Night: Two New Sections Opened - Friday, October 10, 2014



Due to popular demand, two new sections in the concert hall have been opened for tomorrow's Opening Night concert with the London Philharmonic featuring pianist Jean-Efflam Bavouzet and conducted by Vladimir Jurowski.

Join us for the kickoff of our 61st concert season!

LONDON PHILHARMONIC
Vladimir Jurowski, conductor
Jean-Efflam Bavouzet, piano

Saturday, October 11th, 8pm
Renée & Henry Segerstrom Concert Hall

DVORÁK: The Noon Witch, Op. 108
PROKOFIEV: Piano Concerto No. 3 in C major, Op. 26
TCHAIKOVSKY: Symphony No. 6 in B minor, Op. 74, "Pathétique"

Tickets start at $35. For more info, call (949) 553-2422, or visit PhilharmonicSociety.org.

0 Comments | Add Comment



When organs go bad. - Wednesday, October 08, 2014



American organist Cameron Carpenter, who comes to us next month the Gustavo Dudamel and the LA Phil, opened the Berlin Philharmonic's season last Friday. He was slated to perform an all-Bach program to a nearly full hall but then the organ malfunctioned.

The Philharmonie's Schuke organ broke and kept a note perpetually sounding. Technicians were unable to fix the glitch, even after turning the organ off and then on again. Carpenter graciously finished out the second half on a Steinway D, performing Chopin's Etude in C-sharp minor, selections from Bach's Well-Tempered Clavier, a work from Medtner, Grainger's Handel in the Strant and other works.

Here we have a video of the organ misbehaving:


0 Comments | Add Comment



Music Monday: Getting to know Josef Suk - Monday, October 06, 2014



This month, The Smetana Trio will present an evening of music celebrating Czech tradition and culture. In addition to performing works by popular composers like Bohuslav Martinu and Bedrich Smetana they will also play a piano trio by Josef Suk, a lesser-known composer who led a very interesting life and career. Here are some fun facts about him:

  • He began his musical studies as a violinist, and later in life was a founding member of the Bohemian String Quartet. They toured Europe and premiered many works by Antonín Dvorák and Leoš Janácek

  • Dvorák was his most influential teacher and friend; Suk even went on to marry his daughter, Otilie

  • In 1904, Suk lost both his wife and father-in-law which resulted in a drastic shift in his compositional style. His works became more heavy and complex, mirroring his personal life

  • Suk was a silver medalist in the 1932 Los Angeles Summer Olympics. From 1912-1948, the Olympic Games included arts competitions and awarded medals for architecture, literature, painting, sculpture and music. Suk was honored for his composition Into a New Life


  • Come learn more about Josef Suk by hearing his Piano Trio in C minor, Op. 2 performed by The Smetana Trio on Saturday, October 18th, 8pm, at the Irvine Barclay Theatre!

    Until then, here's a recording of the piece to tide you over.


    0 Comments | Add Comment



    London Philharmonic Orchestra and Vladimir Jurowski extend partnership - Wednesday, October 01, 2014



    Moscow-born conductor Vladimir Jurowski, who has served as Principal Conductor and Artistic Advisor of the London Philharmonic Orchestra since September 2007, will be staying in London for at least another three years.

    Yesterday, the London Philharmonic Orchestra announced that its long-standing and celebrated partnership with Vladimir Jurowski, Principal Conductor and Artistic Advisor, will continue until at least 2018.

    Since Jurowski’s Royal Festival Hall debut with the London Philharmonic Orchestra in 2001, they have continued to forge an ever strengthening bond. The rapport continued at Glyndebourne, where the LPO is Resident Symphony Orchestra and Jurowski was Music Director (2001-13), and in 2003 he was appointed Principal Guest Conductor, before his current appointment as Principal Conductor in 2007. He took on the additional role as Artistic Advisor in 2012.

    The original five-year contract, now regarded by both parties as on-going, will continue until at least 2018 and will see Jurowski working with the Orchestra for a minimum of 12 weeks a year both at home and abroad. In the forthcoming 2014/15 season he conducts the Orchestra in 44 concerts in UK, France, Italy, Germany, Spain, USA and Canada.

    Vladimir Jurowski, Principal Conductor and Artistic Advisor, LPO said:
    “As with all art forms, time is the most important factor in creating a valuable and distinctive musical relationship that bears real fruits, and although the LPO and I have enjoyed already a long and productive artistic collaboration over the past 13 years, I believe strongly that the best is still ahead of us. I am very happy indeed therefore to have the opportunity to extend our contract and emphasise my commitment to this exceptional family of musicians, and I look forward to ever deeper artistic explorations with them, both in familiar repertoire and towards new musical horizons. With the trust and support of the LPO’s creative and committed team, we can and should continue to develop bold and meaningful programmes, and take the risks that will allow the LPO to stand out yet further in today’s crowded marketplace, both in London and across the world.”

    See Jurowski conduct the London Philharmonic in our Opening Night concert next Saturday, October 11th, 8pm, at Renée & Henry Segerstrom Concert Hall.

    Tickets start at $35. For more info, call (949) 553-2422, or visit PhilharmonicSociety.org.

    0 Comments | Add Comment



    Music Monday: What is the Year of Czech Music? - Monday, September 29, 2014



    2014 has been hailed the "Year of Czech Music." But what exactly does this mean?

    The Czech Republic initiated the 2014 Year of Czech Music program to celebrate the birth, death and founding anniversaries of its native composers and arts organizations, including Antonin Dvorak, Bedrich Smetana and the Prague Symphony Orchestra. The main objective of the program is to promote the music and projects of Czech musicians throughout Europe and the world.

    Arts organizations in the United States are joining in the celebration, including The Metropolitan Opera, Baltimore Symphony, Philadelphia Orchestra, Seattle Symphony, and us at the Philharmonic Society of Orange County. Our participation in the Year of Czech Music includes presentations of two Czech ensembles: The Smetana Trio chamber ensemble (Sat, Oct. 18) and the Czech Philharmonic (Tues, Nov. 4).

    The first concert features The Smetana Trio, whom we presented back in 2011 during their first tour of the United States. Founded in 1934 by legendary Czech pianist Josef Pálenícek, the Smetana Trio became the first Czech ensemble to win the BBC Music Magazine Award in 2007 and is regarded as one of the foremost piano trios in the Czech Republic today. For this performance, the trio will perform an all-Czech program, with pieces from Bedrich Smetana (b. 1824), Bohuslav Martinu (d. 1959), Josef Suk (b. 1874), and the West Coast premiere of Roman Haas' Multicultural Suite.

    Our second concert, taking place in November, heralds the return of the Czech Philharmonic, conducted by Jirí Belohlávek, who is Honorary President of the 2014 Year of Czech Music. This program features works by two Czech composers: Leoš Janácek's Taras Bulba and Antonín Dvorák's beloved "New World" Symphony. French pianist Jean-Yves Thibaudet performs Liszt's Piano Concerto No. 2.

    0 Comments | Add Comment



    Christopher Hogwood, 1941–2014 - Wednesday, September 24, 2014



    British conductor and early music megastar Christopher Hogwood passed away today at his home in Cambridge after a long illness. He was 73.

    Hogwood, who started out as a keyboard player with Sir Neville Marriner’s
    Academy of St Martin in the Fields in the early 1960s, had studied keyboard at Cambridge University with Rafael Puyana and Mary Potts and later with Zuzana Ruzickova and Gustav Leonhardt.

    Hogwood later broke away from the Academy of St Martin in the Fields to form his own Academy of Ancient Music in 1973, and directed the academy across six continents for some 30 years. The Academy of Ancient Music recorded more than 200 CDs, including the first-ever complete cycle of Mozart symphonies on period instruments.

    Other roles Hogwood has held include being a founder member of the Early Music Consort artistic director of the King’s Lynn Festival, artistic director of the Handel and Haydn Society in Boston, a tutor at Harvard University, Principal Guest Conductor of the Kammerorchester Basel, Honorary Professor of Music at the University of Cambridge and Andrew D. White Professor-at-Large at Cornell University

    We were fortunate to present him in concert on three separate occasions, first with the St. Paul Chamber Orchestra in 1992, then with the Handel & Haydn Society the following year. The last time we brought him to Orange County was in 1996, when he conducted a performance of Gluck's Orfeo ed Euridice featuring the Mark Morris Dance Group and Handel & Haydn Society Orchestra & Chorus.

    Here is Hogwood conducting his Academy of Ancient Music in a performance of Handel's Messiah.


    0 Comments | Add Comment